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  • Costanza Cucci, Marcello Picollo, Leandro Chiarantini, Gianni Uda, Lorenzo Fiori, Bruno De Nigris, Massimo Osanna. Remote-sensing hyperspectral imaging for applications in archaeological areas: Non-invasive investigations on wall paintings and on mural inscriptions in the Pompeii site. Microchemical Journal 158 (2020) 105082.
  • Maurizio Aceto, Gaia Fenoglio, Maria Labate, Marcello Picollo, Mauro Bacci, Angelo Agostino. A fast non-invasive method for preliminary authentication of mediaeval glass enamels using UV–visible–NIR diffuse reflectance spectrophotometry. Journal of Cultural Heritage xxx (2020) xxx–xxx.
  • Eva Mariasole Angelin, Marta Ghirardello, Sara Babo, Marcello Picollo, Laura Chelazzi, Maria João Melo, Austin Nevinf, Gianluca Valentini, Daniela Comelli. The multi-analytical in situ analysis of cadmium-based pigments in plastics. Microchemical Journal Volume 157, September 2020, 105004.
  • Bartolozzi Giovanni, Bracci Susanna, Cantisani Emma, Iannaccone Roberta, Magrini Donata, Picollo Marcello. Non-invasive techniques applied to the alchemical codex of the State Archive of Florence. Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 240 (2020) 118562.
  • Donata Magrini, Giovanni Bartolozzi, Susanna Bracci, Serena Carlesi, Costanza Cucci, Marcello Picollo, Evaluation of the efficacy and durability of the “barium hydroxidemethod” after 40 years. Multi-analytical survey on the Crocifissione byBeato Angelico, Journal of Cultural Heritage, 2020.
  • Marcello Picollo, Costanza Cucci, Andrea Casini, Lorenzo Stefani, Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios, Sensors, 2020.
  • Elena D’Elia, Paola Buscaglia, Anna Piccirillo, Marcello Picollo, Andrea Casini, Costanza Cucci, Lorenzo Stefani, Francesco Paolo Romano, Claudia Caliri, Monica Gulmini, Macro X-ray fluorescence and VNIR hyperspectral imaging in the investigation of two panels by Marco d’Oggiono. Microchemical Journal 154 (2020) 104541
  • Catapano, I., Ludeno, G., Cucci, C. et al. Noninvasive Analytical and Diagnostic Technologies for Studying Early Renaissance Wall Paintings. Surv Geophys 41, 669–693 (2020).


  • Marcello Picollo, Costanza Cucci, Lorenzo Stefani, Reyes Jiménez-Garnica, Laura Fuster-López, Anna Vila, “Chromatic values in Pablo Picasso’s early work: a comparison of hues in “Science and Charity" (1897) and its three oil sketches”, COLOR CULTURE AND SCIENCE – CULTURA E SCIENZA DEL COLORE, VOLUME 11, Issue 02, 2019, 34-42.
  • Filippo Cherubini, Andrea Casini, Costanza Cucci, Marcello Picollo, Lorenzo Stefani, “’Khrôma’ the first software for management of the Color and Decoration Plan for small historic villages”, COLOR CULTURE AND SCIENCE – CULTURA E SCIENZA DEL COLORE, VOLUME 11, Issue 02, 2019, 28-34.
  • Picollo, M. Aceto, T. Vitorino, “UV-Vis spectroscopy”, Physical Sciences Reviews, Volume 4 (4): 1 – Mar 26, 2019.
  • Costanza Cucci, E. Keats Webb, Andrea Casini, Marina Ginanni, Elena Prandi, Lorenzo Stefani, Tatiana Vitorino & Marcello Picollo, “Short-wave infrared reflectance hyperspectral imaging for painting investigations: A methodological study”, Journal of the American Institute for Conservation, 58 (1-2), pp. 16-36.
  • John K. Delaney & Marcello Picollo, “Editorial for JAIC special issue on Reflectance hyperspectral imaging to support documentation and conservation of 2D artworks”, Journal of the American Institute for Conservation, 58 (1-2), pp. 1-2,
  • Francesca Caterina Izzo, Alessandra Carrieri, Giovanni Bartolozzi, Henk van Keulen, Irene Lorenzon, Eleonora Balliana, Costanza Cucci, Francesco Grazzi, Marcello Picollo, “Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques”, Journal of Cultural Heritage 35, 2019, pp. 254–262.


  • Carlesi, M. Picollo, M. Ricci, M. Becucci, “The ageing of model pigment/linseed oil systems studied by means of vibrational spectroscopies and chemometrics” Vibrational spectroscopy (2018), 99, pp. 86-92.
  • Cucci, S. Bracci, A. Casini, S. Innocenti, M. Picollo, L. Stefani, I.G. Rao, M. Scudieri, “The illuminated manuscript Corale 43 and its attribution to Beato Angelico: Non-invasive analysis by FORS, XRF and hyperspectral imaging techniques” Microchemical Journal (2018), 138, pp. 45-57.


  • MacDonald LW, Vitorino T, Picollo M, Pillay R, Obarzanowski M, Sobczyk J, Nascimento S, Linhares J (2017). Assessment of multispectral and hyperspectral imaging systems for digitisation of a Russian icon. HERITAGE SCIENCE, vol. 5, ISSN: 2050-7445,
  • Doria, A., Gallerano, G.P., Giovenale, E., Casini, A., Cucci, C., Picollo, M., Poggesi, M., Stefani, L., Fukunaga, K., Tamassia, M. “Vis-NIR Hyperspectral and Terahertz Imaging Investigations on a Fresco Painting on “Tavella” by Alessandro Gherardini”, J Infrared Milli Terahz Waves (2017) 38/4: 390-402.
  • Corinna L. Koch Dandolo, Marcello Picollo, Costanza Cucci, Marina Ginanni, Elena Prandi, Magnolia Scudieri, Peter Uhd Jepsen, “Insights on the Side Panels of the Franciscan Triptych by Fra Angelico Using Terahertz Time-Domain Imaging (THz-TDI)”, J Infrared Milli Terahz Waves (2017) 38/4:413-424.
  • Magrini; C. Cucci; R. Olmi; M. Picollo; C. Riminesi, “Investigation on water content in fresco mock-ups in the microwave and near-IR spectral regions” Measurement science & technology 28(2), 2017 (on-line).
  • Eva Mariasole Angelin, Mauro Bacci, Giovanni Bartolozzi, Emma Cantisani, Marcello Picollo, “Contemporary artists’ spinel pigments: Non-invasive characterization by means of electronic spectroscopy” Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 173 (2017) 510–515.


  • Costanza Cucci, John K. Delaney, Marcello Picollo “Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts” Acc. Chem. Res. 2016, 49, 2070−2079.
  • Corinna L. Koch Dandolo, Marcello Picollo, Costanza Cucci, Peter Uhd Jepsen “Non-invasive Florentine Renaissance Panel Painting Replica Structures Investigation by Using Terahertz Time-Domain Imaging (THz-TDI) Technique” J Infrared Milli Terahz Waves, (2016), 37(11), pp. 1148-1156.
  • Corinna Ludovica Koch Dandolo, Marcello Picollo, Costanza Cucci, Peter Uhd Jepsen “Fra Angelico’s painting technique revealed by terahertz time-domain imaging (THz-TDI)” Phys. A(2016) 122:898,
  • Jenny Dickens, Antonio Rava, Maria Perla Colombini, Marcello Picollo & Will Shank (2016) Keith Haring in Pisa and Melbourne: Controversy and conservation, Studies in Conservation, 61:sup2, 29-37,
  • Bartolozzi, M. Picollo, V. Marchiafava, S.A. Centeno, I. Duvernois, F. Di Girolamo, F. Modugno, J. La Nasa, M.P. Colombini, A. Rava “Anselm Kiefer: a study of his artistic materials” Archaeol. Anthropol. Sci.(2016) 8:563–574,
  • Karla Munoz-Alcocer, Laura Fuster-Lopez, Andrea Pizarro-Medina, Marcello Picollo, Giovanni Bartolozzi “Pre-Hispanic Pigments and Italian Renaissance Designs at Spanish Colonial Missions Churches in Northern Mexico” COLOR research and application, Volume 41, Number 3, June 2016, pp. 289-293.
  • Serena Carlesi, Giovanni Bartolozzi, Costanza Cucci, Veronica Marchiafava, Marcello Picollo, Jacopo La Nasa, Francesca Di Girolamo, Marialaura Dilillo, Francesca Modugno, Ilaria Degano, Maria Perla Colombini, Stefano Legnaioli, Giulia Lorenzetti, Vincenzo Palleschi “Discovering “The Italian Flag” by Fernando Melani (1907–1985)” Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy168 (2016) 52–59.
  • Veronica Marchiafava, Costanza Cucci and Marcello Picollo “Colour measurement procedures on outdoor 3D artworks: a case study” Journal of the International Colour Association(2016): 16, 90-99.
  • Carlesi S, Ricci M, Cucci C, Lofrumento C, Picollo M, Becucci M. Multivariate analysis of combined reflectanceFT-NIR and micro-Raman spectra on oil-paint models. Microchemical Journal124 (2016), pp. 703-711.
  • Cucci, G. Bartolozzi, M. De Vita, V. Marchiafava, M. Picollo, F. Casadio “The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints” Applied Spectroscopy70(1) (2016), pp. 186–196.
  • Cucci, G. Bartolozzi, V. Marchiafava, M. Picollo, E. Richardson “Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR”Microchemical Journal124, January (2016), pp. 889–897.


  • Trumpy, D. Conover, L. Simonot, M. Thoury, M. Picollo and J.K. Delaney, “Experimental study on merits of virtual cleaning of paintings with aged varnish”, Optics Express 28 Dec 2015, Vol. 23, No. 26 33836-48,
  • Vitorino, A. Casini, C. Cucci, M.J. Melo, M. Picollo, L. Stefani“Non-invasive identification of traditional red lake pigments in 14th-16th centuries paintings through the use of hyperspectral imaging technique” Applied Physics A121 (2015), pp. 891–901.
  • Raimondi, A. Andreotti, M.P. Colombini, C. Cucci, O. Cuzman, M. Galeotti, D. Lognoli, L. Palombi, M. Picollo, P. Tiano “Test measurements on a secco white-lead containing model samples to assess the effects of exposure to low-fluence UV laser radiation” Applied Surface Science337, 15 May (2015), pp. 45–57.
  • Carlesi, M. Ricci, C. Cucci, J. La Nasa, C. Lofrumento,M. Picollo, M. Becucci “Multivariate analysis of combined Fourier Transform NearInfrared (FTNIR) and Raman data sets for improved discrimination of drying oils"Applied Spectroscopy, 69/7 (2015), pp. 865-876.
  • Picollo M., Fukunaga K., Labaune J., “Obtaining noninvasive stratigraphic details of panel paintings using terahertz time domain spectroscopy imaging system” Journal of Cultural Heritage, 16 (2015), pp. 73- 80,
  • Boochs, A. Bentkowska-Kafel, C. Degrigny, M. Karaszewski, Karmacharya, Z. Kato, M. Picollo, R. Sitnik, A. Trémeau, D. Tsiafaki, L. Tamas “Colour and Space in Cultural Heritage: Interdisciplinary Approaches to Documentation of Material Culture” International Journal of Heritage in the Digital Era, 3(4), 2015, pp. 713-730.


  • Marchiafava V., Bartolozzi G., Cucci C., De Vita M., Picollo M., “Colour measurements for monitoring the conservation of contemporary artworks” Journal of the International Colour Association, 13(4), 2014, pp. 36-42.
  • Bartolozzi, C. Cucci, V. Marchiafava, S. Masi, M. Picollo, E. Grifoni, S. Legnaioli, G. Lorenzetti, S. Pagnotta, V. Palleschi, F. Di Girolamo, J. La Nasa, F. Modugno and M.P. Colombini, “A multidisciplinary approach to the investigation of “La Caverna dell’Antimateria” (1958–1959) by Pinot Gallizio” Heritage Science2014, 2:29 (pp. 12).
  • Fukunaga K., Picollo M., “Terahertz time domain imaging for cultural heritage” Insight – Non-Destructive Testing and Condition Monitoring, 56/3, 2014, pp. 142-146.
  • Melo M.J., Otero V., Vitorino T. Araújo R., Muralha V.S.F., Lemos A., Picollo M., “A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours” Applied Spectroscopy,68(4), 2014, pp. 434-444.
  • Picollo M., Bartolozzi G., Cucci C., Galeotti M., Marchiafava V., Pizzo B., “Comparative Study on Fourier Transform Infrared Spectroscopy (FT-IR) in Transmission, Attenuated Total Reflection, and Total Reflection Modes for the Analysis of Plastics in the Cultural Heritage Field” Applied Spectroscopy,68(4), 2014, pp. 389-397.
  • Aceto M., Agostino A., Fenoglio G., Idone A., Gulmini M., Picollo M., Ricciardi P., Delaney J.K., “Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry” Methods, 6, 2014, pp. 1488–1500.
  • Bartolozzi G., Marchiafava V., Mirabello V., Peruzzini M., Picollo M., “Chemical curing in alkyd paints: An evaluation via FT-IR and NMR Spectroscopies” Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 118, 2014, pp. 520–525.


  • Magrini D., Bartolozzi G., Bracci S., Iannaccone R., Marchiafava V., Picollo M., “The San Pietro Martire Triptych by Beato Angelico: Materials Characterization by Means of Integrated Non-Invasive Spectroscopic Measurements” International Journal of Conservation Science, 4, Special Issue, 2013, pp. 673-680.
  • Valentina Raimondi, Costanza Cucci, Oana Cuzman, Cristina Fornacelli, Monica Galeotti, Ioana Gomoiu, David Lognoli, Dan Mohanu, Lorenzo Palombi, Marcello Picollo, Piero Tiano, “Study of the effects of low-fluence laser irradiation on wall paintings: Test measurements on fresco model samples”, Applied Surface Science, 284, 2013, pp. 184 – 194.
  • Suzanne Quillen Lomax, Beth A. Price, Andrew Lins, Charles Davis, Boris Pretzel, Marcello Picollo, Gabriel Richards, Steve Rice, “The IRUG RAMAN Spectral WEB Database: objectives, progress and plans” e-Preservation Science, 10, 2013, pp. 38-41,
    • ISSN: 1581-9280 web edition.
  • Cucci, L. Bigazzi, M. Picollo, “Fibre Optic Reflectance Spectroscopy as a non-invasive tool for investigating plastics degradation in contemporary art collections: a methodological study on an expanded polystyrene artwork” Journal of Cultural Heritage, 14(4), 2013, pp. 290-296.
  • Aceto, A. Agostino, G. Fenoglio, M. Picollo, “Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis”, Anal. Methods, 5, 2013, pp. 4184-4189.
  • Cucci, M. Picollo, “Reflectance spectroscopy safeguards cultural assets” SPIE Newsroom, 21 March 2013, doi: 10.1117/2.1201303.004721
  • Carlesi S., Bartolozzi G., Cucci C., Marchiafava V., Picollo M., “The artists’ materials of Fernando Melani: a precursor of the Poor Art artistic movement in Italy” Acta A: Mol. Biomol. Spectrosc.,104(2013), pp. 527–537.


  • Ricciardi P., Delaney J.K., Facini M., Zeibel J.G., Picollo M., Lomax S., Loew M., Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts, Chem. Int. Ed. 51, (2012), pp. 5607-5610.
  • Cucci, M. Picollo, M. Vervat, “Trans-illumination and trans-irradiation with digital cameras: potentials and limits of two imaging techniques used for the diagnostic investigation of paintings” Journal of Cultural Heritage, 13(2012) 83–88.


  • Picollo M., Aldrovandi A., Migliori A., Giacomelli S., Scudieri M., Non-invasive XRF and UV-Vis-NIR reflectance spectroscopic analysis of materials used by Beato Angelico in the Manuscript Graduale n. 558 Revista de Historia da Arte, serie W, 1(2011), pp. 219-227.
  • Montagner, M. Bacci, S. Bracci, R. Freeman, M. Picollo, “Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers” Acta A: Mol. Biomol. Spectrosc., 79, (2011), 1669-1680.
  • Picollo, E. Cavallo, N. Macchioni, O. Pignatelli, B. Pizzo, I. Santoni, “Spectral characterization of ancient wooden artefacts with the use of traditional IR techniques and ATR device: a methodological approach” e-PreservationScience8(2011), pp. 23-28 (paper based on a presentation at the 9th International Conference of Infrared and Raman Users’ Group (IRUG), Buenos Aires, March 3-6, 2010).


  • Fukunaga, M. Picollo, “Terahertz spectroscopy applied to the analysis of artists’ materials” Appl. Phys. A, 100, (2010), 591-597.
  • Angelini, L G., S. Tozzi, S. Bracci, F. Quercioli, B. Radicati, M. Picollo, “Characterization of traditional dyes of the Mediterranean area by non-invasive UV-Vis-NIR reflectance spectroscopy", Studies in Conservation, 55, Supplement 2, pp. 184-189, 2010.


  • Bacci, D. Magrini, M. Picollo, M. Vervat, “A Study of the Blue Colors used by Telemaco Signorini (1835-1901)” Journal of Cultural Heritage,10(2009), 275-280.
  • Tomkinson, M. Bacci, M. Picollo, D. Colognesi: “A vibrational spectroscopy of indigo: a reassessment” Vibrational Spectroscopy, 50(2009), 268-276.
  • Boselli, S. Ciattini, M. Galeotti, M.R. Lanfranchi, C. Lofrumento, M. Picollo, A. Zoppi, “An unusual white pigment in La Verna Sanctuary frescoes: an analysis with Micro-Raman, FT-IR, XRD and UV-Vis-NIR FORS” e-PreservationScience6(2009), pp. 38-42.


  • Bacci, A. Corallini, A. Orlando, M. Picollo, B. Radicati: “The ancient stained windows by Nicolò di Pietro Gerini in Florence. A novel diagnostic tool for non-invasive in situ diagnosis”Journal of Cultural Heritage,8(2007), 235-241.
  • Bacci, M. Picollo, G. Trumpy, M. Tsukada, D. Kunzelman: “Non-invasive identification of white pigments on 20th century oil paintings by using fiber optic reflectance spectroscopy” Journal of the American Institute for Conservation, 46, (2007). 27-37.


  • Bacci, A. Casini, M. Picollo, B. Radicati, and L. Stefani: “Integrated non-invasive technologies for the diagnosis and conservation of the cultural heritage” Journal of Neutron Research, 14/1, (2006), 11-16.
  • Rosenzweig, E. Carretti, M. Picollo, L. Dei, P. Baglioni: “Use of mid-infrared fiber-optic reflectance spectroscopy (FORS) to evaluate efficacy of nanostructured systems in wall painting conservation” Appl.Phys. A, 83, (2006), 669-673.


  • Leona, F. Casadio, M. Bacci, M. Picollo “Identification of the pre-Columbian pigment Maya blue on works of art by non-invasive UV-Vis and Raman spectroscopic techniques” Journal of the American Institute for Conservation, 43, (2004), 39-54.


  • Bacci, C. Cucci, A.L. Dupont, B. Lavédrine, M. Picollo, S. Porcinai “Disposable Indicators for Monitoring Lighting Conditions in Museums” Environmental Science and Technology, 37, (2003), 5687-5694.
  • Bacci, A. Casini, C. Cucci, M. Picollo, B. Radicati, M. Vervat: “Non-invasive spectroscopic measurements on the Il ritratto della figliastraby Giovanni Fattori: identification of pigments and colourimetric analysis” Journal of CulturalHeritage, 4, (2003), 329-336.


  • Bacci, M. Fabbri, M. Picollo, S. Porcinai: “Non-invasive fibre optic FTIR reflectance spectroscopy on painted layers. Identification of materials by means of PCAand Mahalanobis distance” Analytica Chimica Acta, 446:1-2 (2001), pp 15-21.
  • Fabbri, M. Picollo, S. Porcinai and M. Bacci: “Mid-infrared fiber optics reflectance spectroscopy: a non-invasive technique for remote analysis of painted layers. Part II – statistical analysis of spectra” Applied Spectroscopy, 55(2001), pp. 428-433.
  • Fabbri, M. Picollo, S. Porcinai and M. Bacci: “Mid-infrared fiber optics reflectance spectroscopy: a non-invasive technique for remote analysis of painted layers. Part I – technical set up” Applied Spectroscopy, 55 (2001), pp. 420-427.


  • Bacci, M. Picollo, S. Porcinai and B. Radicati: “Evaluation of the museum environmental risk by means of tempera-painted dosimeters” Thermochimica Acta, 365(2000), pp. 25-34.
  • Bacci, M. Picollo, S. Porcinai and B. Radicati: “Tempera-Painted Dosimeters for Environmental Indoor Monitoring: A Spectroscopic and Chemometric Approach” Environmental Science and Technology, 34(2000), pp. 2859-2865.


  • Casini, F. Lotti, M. Picollo, L. Stefani and E. Buzzegoli: “Image Spectroscopy mapping technique for non-invasive analysis of paintings” Studies in Conservation,44(1999), pp. 39-48.


  • Bacci, M. Picollo, B. Radicati, A. Casini, F. Lotti and L. Stefani: “Non-destructive investigation of wall painting pigments by means of fibre-optic reflectance spectroscopy" Science and Technology for Cultural Heritage7(1998), pp. 73-81.
  • Casini, S. Baronti, F. Lotti, M. Picollo, S. Porcinai, L. Stefani, G. Troup: “A knowledge of works of art through SWIR multiwavelength imaging", Atti della Fondazione Giorgio Ronchi, 53, (1998), pp. 333-343.


  • Bacci, M. Picollo, S. Porcinai and B. Radicati: “Spectrophotometry and colour measurements” Techne5(1997), pp. 28-33.


  • Casini, F. Lotti, M. Picollo, L. Stefani, G. Troup: “Near Infrared Images Spectroscopy for Non-Invasive Investigations of Paintings". Atti della Fondazione Giorgio Ronchi, 51, 1-2 (1996), pp. 289-303.
  • Bacci and M. Picollo: “Non-destructive detection of Co(II) in paintings and glasses” Studies in Conservation41(1996), pp. 136-144.


  • Orlando, M. Picollo, B. Radicati, S. Baronti and A. Casini: “Principal Component Analysis of Near-Infrared and Visible Spectra: An Application to a XIIth Century Italian Work of Art". Applied Spectroscopy, 49(4/1995), pp. 459-465.


  • Bacci, F. Baldini, R. Carlà, R. Linari, M. Picollo, B. Radicati: “A Color Analysis of the Brancacci Chapel Frescoes. Part II". Applied Spectroscopy, 47(4/1993), pp. 399-402


  • Bacci, F. Baldini, R. Carlà, R. Linari “A Color Analysis of the Brancacci Chapel Frescoes" Applied Spectroscopy 45/1, 1991, pp. 26-31.



  • Vitorino, T., V. Otero, L. Carlyle, M.J. Melo, A.J. Parola, and M. Picollo. Nineteenthcentury cochineal lake pigments from Winsor & Newton: Insight into their methodology through reconstructions. In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017, ed. J. Bridgland, art. 0107. Paris: International Council of Museums.
  • Cucci, C., Casini A., Stefani L., Picollo, M., Jussila J., Bridging research with innovative products: a compact hyperspectral camera for investigating artworks: a feasibility study Proc. SPIE Vol. 10331, Optics for Arts, Architecture, and Archaeology VI, Luca Pezzati; Piotr Targowski(Eds.), 1033106-1, June 28, 2017


  • Costanza Cucci; Marcello Picollo; Leandro Chiarantini; Barbara Sereni, Hyperspectral remote sensing techniques applied to the noninvasive investigation of mural paintings: a feasibility study carried out on a wall painting by Beato Angelico in Florence. Proc. SPIE 9527, Optics for Arts, Architecture, and Archaeology V, 95270P (June 30, 2015). From Conference Volume 9527, Optics for Arts, Architecture, and Archaeology V, Luca Pezzati; Piotr Targowski (Eds.), Munich, Germany | June 21, 2015.


  • Vitorino, A. Casini, C. Cucci, M. J. Melo, M. Picollo, L. Stefani, “Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes” Proceedings of Image and Signal Processing. 6th International Conference, ICISP 2014, 30 June – 2 July 2014 Cherbourg (France), A. Elmoataz et al. (Eds.), LNCS 8509, Springer International Publishing Switzerland,2014 pp. 257-264.


  • Cucci, A. Casini, M. Picollo, L. Stefani, “Extending Hyper-Spectral Imaging form Vis to NIR spectral regions: a novel scanner for the in-depth analysis of polychrome surfaces”, in  O3A: Optics for Arts, Architecture, and Archaeology IV – May 2013, L. Pezzati and P. Targowski Eds., Proc. of SPIE, Vol. 8790, pp. 879009-1- 879009-9
  • Cucci, M. Bacci, L. Bigazzi, M. Picollo “Non-invasive optical techniques for degradation assessment: a case-study of expanded polystyrene in the artwork ‘Cartoline’ by Stefano Arienti”. In: “Future Talks 011 The Conservation of modern materials in applied arts and design”, Ed. T. Berchtold, Die Neue Sammlung, Munich, Germany, 2013, 200-206.
  • P. Colombini, F. Modugno, F. Di Girolamo, J. La Nasa, C. Duce, L. Ghezzi, V. Barone, V. Palleschi, E. Bramanti, S. Legnaioli, G. Lorenzetti, L. Pardini, M. Picollo, A. Ballerini, G. Bartolozzi, S. Carlesi, C. Cucci, M. De Vita, V. Marchiafava “Preventive Conservation of Contemporary Art (COPAC): a new Italian research project”. In: “Future Talks 011 The Conservation of modern materials in applied arts and design”, Ed. T. Berchtold, Die Neue Sammlung, Munich, Germany, 2013, 195-199.


  • Cucci, A. Casini, M. Picollo, M. Poggesi, L. Stefani “Open issues in hyperspectral imaging for diagnostic on paintings: when high spectral and spatial resolution turns into data redundancy”: in “O3A: Optics for Arts, Architecture, and Archaeology III” edited by L. Pezzati, R. Salimbeni, Proc. SPIE Vol. 8084 (2011), pp. 808408 1-10.
  • Cucci, M. Bacci, M. Picollo, R. Olmi “Non invasive techniques for identification and characterisation of polymers in contemporary artworks”. In: “Future Talks 009 The Conservation of modern materials in applied arts and design”, Ed. T. Berchtold, Die Neue Sammlung, Munich, Germany, 2011, 178-184.


  • Picollo, M. Bacci, A. Casini, F. Lotti, M. Poggesi, L. Stefani: “Hyperspectral image spectroscopy: a 2D approach to the investigation of polychrome surfaces” in Proceedings of Conservation Science 2007, Milan, May 10-11, 2007, Editors J. Townsend, L. Toniolo, and F. Capitelli, Archetype Publications, London, 2008, pp. 162-168.
  • Bisulca, M. Picollo, M. Bacci, D. Kunzelman, “UV-Vis-NIR reflectance spectroscopy of red lakes in paintings” in Proceedings of the 9thInternational Conference on Non-destructive investigations and microanalysis for the diagnostics and conservation of cultural and environmental heritage, Jerusalem, May 25-30, 2008. (CD-Rom).


  • Bacci, D. Magrini, M. Picollo, B. Radicati, G. Trumpy, M. Tsukada, D. Kunzelman: “Modern white pigments: their identification by means of non-invasive ultraviolet, visible and infrared fiber optic reflectance spectroscopy” in Proceedings of the Modern Paints Uncovered Symposium, Tate modern, London, May 16-19, 2006. Editors T.J.S. Learner, P. Smithen, J.W. Krueger, M. Schilling. The Getty Conservation Institute, Los Angeles, 2007, pp. 118-128.


  • Casini, M. Bacci, C. Cucci, F. Lotti, S. Porcinai, M. Picollo, B. Radicati, M. Poggesi, L. Stefani “Fiber optic reflectance spectroscopy and hyper-spectral image spectroscopy: two integrated techniques for the study of the Madonna dei Fusi”: in “Optical Methods for Arts and Archaeology” –Aug. 2005 Proc. SPIE Vol. 5857, p. 177-184 R. Salimbeni, L. Pezzati Eds.


  • Casini, F. Lotti, M. Picollo, L. Stefani, A. Aldrovandi, “Fourier transform interferometric imaging spectrometry: a new tool for the study of reflectance and fluorescence of polychrome surfaces”, Proceedings of the Conservation Science 2002, Edinburgh (2002), pp. 249-253.
  • Cazenobe, M. Bacci, M. Picollo, B. Radicati, G. Bacci, S. Conti, G. Lanterna, S. Porcinai, “Non-destructive spectroscopic investigations of dyed textiles: an application to yellow dyed wool samples”, Preprints of the 13th Triennial ICOM Meeting, Rio de Janeiro (2002), pp. 238-244.


  • Bacci, M. Picollo, S. Porcinai, B. Radicati: “Indoor environmental monitoring of colour changes of tempera-painted dosimeters" in ICOM Conservation Committee Preprints, Lyon (1999), pp. 3-8.


  • Bacci, S. Baronti, A. Casini, F. Lotti, M. Picollo, S. Porcinai: “Principal Component Analysis of spectral data: a contribution to the knowledge of the materials constituting works of art".Materials Research Society Symposium Proceedings, 462(1997) pp. 39-44.


  • Chiari, M. Picollo, S. Porcinai, B. Radicati and A. Orlando: “Non Destructive Reflectance Spectroscopy in the discrimination of two authigenic minerals: gypsum and weddellite”. Proceedings of 2nd International Symposium on The Oxalate Films in the Conservation of Works of Art, Milan (1996), p. 377-389.


  • Bacci, S. Baronti, A. Casini, P. Castagna, R. Linari A. Orlando, M. Picollo, B. Radicati: “Detection of alteration products in artworks by non-destructive spectroscopic analysis”. Materials Research Society Symposium Proceedings, 352(1995) pp. 153-159.


  • Bacci, S. Baronti, A. Casini, F. Lotti, M. Picollo, O. Casazza: “Non-destructive spectroscopic investigations on paintings using optical fibers". Materials Research Society Symposium Proceedings, 267(1992) pp. 265-283.


  • Giannini, R. Roani, M. Picollo, G. Lanterna, D. Tapete: “Dizionario del restauro e della Diagnostica” a cura di C. Giannini. Nardini ed., Firenze (I) 2010.
  • Aldrovandi and M. Picollo: “Metodi di documentazione e indagini non invasive sui dipinti” Il Prato ed., Padua (I) 1999 (2nd edition 2007)